Schwartz and Gross was a New York City architectural firm active from at least 1901 to 1963,[1] and which designed numerous apartment buildings in the city during the first half of the 20th century. The firm, together with the firm Neville & Bagge and the firm owned by George F. Pelham, accounted for about half the apartment houses in Manhattan's Morningside Heights neighborhood.[2]
Contents |
Simon I. Schwartz and Arthur Gross were each an American architect of Jewish background.[2] The two met as students at the Hebrew Technical Institute, in Manhattan's East Village neighborhood, in the 1890s.[3] After working for other firms, they founded their own company in 1902.[3] They primarily designed apartment houses on the Upper East Side and the Upper West Side, and while the firm continued through at least 1963, stopped personally designing buildings sometime after the Great Depression.[3] Each died in the 1950s.[3]
The firm was dominant during its height, designing, along with New York firms Neville & Bagge and George F. Pelham's firm, around half of the apartment buildings in Morningside Heights, as well as numerous other buildings throughout New York City.[2] Schwartz and Gross designed eight of the historic buildings along Central Park West that are considered contributing properties to the Central Park West Historic District, including 55 Central Park West, colloquially known as the "Ghostbusters Building" after its prominent appearance in that 1984 movie.[4]
One building, The Majestic at 215 West 75th Street, was completed in 1924 as a brothel and de facto men's clubhouse, with hidden stairways and secret doorways.[5] A bordello run by Polly Adler boasted such patrons as Robert Benchley, New York City mayor Jimmy Walker, and mobster Dutch Schultz.[5] Another building 370 Riverside Drive was a home to many notables, including Hannah Arendt, among others.
Schwartz and Gross also designed at least one building on Long Island: The Wychwood, later converted to co-op, in Great Neck, New York.[6]
The New York Times architectural columnist Christopher Gray quoted Albert Mayer, an architect who once worked with Schwartz and Gross, who described the duo as having "excellent floor plans, but no talents for facades".[3]